167 bars of 3/4 -- not four -- at 135 BPM, 3:43 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 19 and 23, and 22 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 5, 6, 14, 20, 46, 70 and 9 more.
2 more fills are written out on the fills page.
167 bars across 16 sections: 76 keep time, 15 are fills, 55 are stops and 6 are silent. The longest unbroken stretch of time is bars 56-62.
135 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
167 bars, about 3:43 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 5, 6, 14, 20, 46, 70 and 9 more.