126 bars of 4/4 at 145 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 10 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 20, 25, 29, 33, 37, 41 and 12 more.
6 more fills are written out on the fills page.
126 bars across 14 sections: 71 keep time, 18 are fills, 9 are stops and 17 are silent. The longest unbroken stretch of time is bars 98-105.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
126 bars, about 3:54 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 20, 25, 29, 33, 37, 41 and 12 more.