53 bars of 4/4 at 120 BPM, about 1:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-9 and 11-13 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 15, 28, 29, 33, 39 and 41.
1 more fill is written out on the fills page.
53 bars across 6 sections: 32 keep time, 6 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 3-14.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
53 bars, about 1:59 at the written tempo. The course breaks it into 24 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 15, 28, 29, 33, 39 and 41.