119 bars of 4/4 at 120 BPM, about 3:58 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 58-60, and 1 more place -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 1, 6, 7, 8, 9, 21 and 4 more.
2 more fills are written out on the fills page.
119 bars across 14 sections: 84 keep time, 10 are fills and 4 are stops. The longest unbroken stretch of time is bars 83-104.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 41 out of 100; the rest of the number is everything around it.
119 bars, about 3:58 at the written tempo. The course breaks it into 50 exercises over 19 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 1, 6, 7, 8, 9, 21 and 4 more.