216 bars of 4/4 at 110 BPM, about 7:54 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 78-84, 86 and 88, and 11 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 17 times: bars 53, 77, 117, 141, 143, 174 and 11 more.
2 more fills are written out on the fills page.
216 bars across 17 sections: 147 keep time, 17 are fills, 28 are stops and 9 are silent. The longest unbroken stretch of time is bars 146-173.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
216 bars, about 7:54 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 53, 77, 117, 141, 143, 174 and 11 more.