392 bars of 4/4 at 120 BPM, about 12:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 138, 140 and 166-173, and 3 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 43 times: bars 9, 32, 34, 42, 44, 46 and 37 more.
28 more fills are written out on the fills page.
392 bars across 36 sections: 219 keep time, 43 are fills, 85 are stops and 13 are silent. The longest unbroken stretch of time is bars 175-203.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
392 bars, about 12:47 at the written tempo. The course breaks it into 127 exercises over 32 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 43 times: bars 9, 32, 34, 42, 44, 46 and 37 more.