42 bars of 4/4 at 133 BPM, about 1:14 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-21 and 23-24 -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 14, 16, 34, 38 and 40.
1 more fill is written out on the fills page.
42 bars across 6 sections: 14 keep time, 5 are fills, 10 are stops and 11 are silent. The longest unbroken stretch of time is bars 20-25.
133 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
42 bars, about 1:14 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 30 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 14, 16, 34, 38 and 40.