189 bars of 4/4 at 120 BPM, about 6:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-38, hi-hat through bars 39-75, snare through bars 76-91, toms through bars 92-100, silence through bars 101-124 and snare through bars 125-126, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 10-11, and 4 more places -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----x-x---x-x-x-|x---x-x---x-x---|
SD |--------x-------|--x-----x-------|
BD |------x---x---x-|x-----x---x-----|
HF |x---x---x---x---|x---x---x---x---|10 fills to learn, played 33 times: bars 4, 8, 12, 15, 16, 20 and 27 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
189 bars, about 6:18 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 4, 8, 12, 15, 16, 20 and 27 more.