189 bars of 4/4 at 120 BPM, about 6:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 10-11, and 4 more places -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 33 times: bars 4, 8, 12, 15, 16, 20 and 27 more.
6 more fills are written out on the fills page.
189 bars across 8 sections: 101 keep time, 33 are fills, 22 are stops and 24 are silent. The longest unbroken stretch of time is bars 159-189.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
189 bars, about 6:18 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 4, 8, 12, 15, 16, 20 and 27 more.