265 bars of 4/4 at 120 BPM, about 9:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 193-198, 201-203 and 205-206, and 2 more places -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 16, 32, 34, 36, 38, 40 and 12 more.
8 more fills are written out on the fills page.
265 bars across 23 sections: 188 keep time, 18 are fills and 31 are silent. The longest unbroken stretch of time is bars 194-219.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
265 bars, about 9:14 at the written tempo. The course breaks it into 96 exercises over 41 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 16, 32, 34, 36, 38, 40 and 12 more.