81 bars of 4/4 at 117 BPM, about 2:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 6-8 and 26-28, and 5 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 24 times: bars 1, 5, 9, 13, 14, 15 and 18 more.
9 more fills are written out on the fills page.
81 bars across 9 sections: 44 keep time and 24 are fills. The longest unbroken stretch of time is bars 51-56.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
81 bars, about 2:46 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 1, 5, 9, 13, 14, 15 and 18 more.