135 bars of 4/4 at 132 BPM, about 4:03 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 5, 12-15 and 17, and 12 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 43, 96, 119, 132, 133, 134 and 1 more.
1 more fill is written out on the fills page.
135 bars across 16 sections: 89 keep time, 7 are fills, 3 are stops and 19 are silent. The longest unbroken stretch of time is bars 73-93.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
135 bars, about 4:03 at the written tempo. The course breaks it into 45 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 43, 96, 119, 132, 133, 134 and 1 more.