65 bars of 4/4 at 110 BPM, about 2:22 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 21-23 and 37-39, and 1 more place -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 12, 19, 20, 25, 27, 28 and 15 more.
7 more fills are written out on the fills page.
65 bars across 12 sections: 29 keep time, 21 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 1-4.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
65 bars, about 2:22 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 12, 19, 20, 25, 27, 28 and 15 more.