175 bars of 4/4 at 130 BPM, about 5:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 33 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 59, 116, 117, 118, 119, 120 and 7 more.
2 more fills are written out on the fills page.
175 bars across 11 sections: 140 keep time, 13 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 61-109.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 3 out of 100; the rest of the number is everything around it.
175 bars, about 5:23 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 59, 116, 117, 118, 119, 120 and 7 more.