96 bars of 4/4 at 130 BPM, about 2:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-19 and 47-62 -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 20, 63, 81, 85, 89, 93 and 2 more.
1 more fill is written out on the fills page.
96 bars across 7 sections: 79 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 48-62.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 10 out of 100; the rest of the number is everything around it.
96 bars, about 2:57 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 20, 63, 81, 85, 89, 93 and 2 more.