95 bars of 4/4 at 125 BPM, about 3:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 9 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 11 times: bars 41, 53, 57, 59, 61, 69 and 5 more.
5 more fills are written out on the fills page.
95 bars across 10 sections: 44 keep time, 11 are fills and 30 are stops. The longest unbroken stretch of time is bars 11-17.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
95 bars, about 3:02 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 41, 53, 57, 59, 61, 69 and 5 more.