108 bars of 4/4 at 122 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 78-92, 94 and 98, and 1 more place -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 32 times: bars 10, 12, 14, 16, 20, 22 and 26 more.
11 more fills are written out on the fills page.
108 bars across 9 sections: 56 keep time, 32 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 78-92.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
108 bars, about 3:32 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 10, 12, 14, 16, 20, 22 and 26 more.