127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16-20, 46-55 and 61-65, and 4 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
127 bars across 19 sections: 108 keep time and 1 is silent. The longest unbroken stretch of time is bars 22-40.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.