133 bars of 4/4 at 125 BPM, about 4:11 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 19-23, 29-33 and 64-67, and 3 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 42, 68, 77, 78 and 104.
133 bars across 19 sections: 89 keep time, 5 are fills, 9 are stops and 12 are silent. The longest unbroken stretch of time is bars 55-63.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
133 bars, about 4:11 at the written tempo. The course breaks it into 40 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 42, 68, 77, 78 and 104.