150 bars of 4/4 at 124 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-9, 11-12 and 40-45, and 8 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 15 times: bars 14, 15, 23, 39, 71, 79 and 9 more.
7 more fills are written out on the fills page.
150 bars across 16 sections: 110 keep time, 15 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 41-54.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
150 bars, about 4:49 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 14, 15, 23, 39, 71, 79 and 9 more.