125 bars of 4/4 at 127 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30 and 36, and 13 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 1, 9, 25, 29, 42, 50 and 8 more.
3 more fills are written out on the fills page.
125 bars across 17 sections: 91 keep time, 14 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 71-81.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
125 bars, about 3:56 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 1, 9, 25, 29, 42, 50 and 8 more.