91 bars of 4/4 at 113 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-29, 34-44 and 68-74 -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 31, 33, 45, 47, 49, 53 and 5 more.
1 more fill is written out on the fills page.
91 bars across 8 sections: 67 keep time, 11 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-17.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 36 out of 100; the rest of the number is everything around it.
91 bars, about 3:13 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 31, 33, 45, 47, 49, 53 and 5 more.