130 bars of 4/4 at 122 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-22, 26-30 and 42-46, and 11 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 8 times: bars 69, 77, 81, 110, 111, 115 and 2 more.
130 bars across 7 sections: 91 keep time, 8 are fills, 1 is a stop and 21 are silent. The longest unbroken stretch of time is bars 43-62.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
130 bars, about 4:16 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 69, 77, 81, 110, 111, 115 and 2 more.