162 bars of 4/4 at a walking 80 BPM, 7:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 72-74, and 9 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 16, 34, 38, 51, 56, 60 and 10 more.
3 more fills are written out on the fills page.
162 bars across 17 sections: 108 keep time, 16 are fills and 15 are stops. The longest unbroken stretch of time is bars 100-112.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
162 bars, about 7:43 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 16, 34, 38, 51, 56, 60 and 10 more.