97 bars of 4/4 at a walking 78 BPM, 4:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5 and 10-11, and 12 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 7, 58, 80, 90, 92 and 93.
97 bars across 9 sections: 78 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 32-50.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
97 bars, about 4:58 at the written tempo. The course breaks it into 28 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 7, 58, 80, 90, 92 and 93.