195 bars of 4/4 at 135 BPM, about 5:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 47-56, 67-72 and 111-112, and 1 more place -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 28 times: bars 8, 9, 17, 26, 66, 73 and 22 more.
11 more fills are written out on the fills page.
203 bars across 24 sections: 121 keep time, 28 are fills, 17 are stops and 9 are silent. The longest unbroken stretch of time is bars 45-60.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
195 bars, about 5:44 at the written tempo. The course breaks it into 77 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 28 times: bars 8, 9, 17, 26, 66, 73 and 22 more.