185 bars of 4/4 at 132 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-55, 57-63 and 74-87 -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 32 times: bars 16, 37, 38, 39, 40, 44 and 26 more.
11 more fills are written out on the fills page.
185 bars across 16 sections: 102 keep time, 32 are fills, 14 are stops and 27 are silent. The longest unbroken stretch of time is bars 17-32.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
185 bars, about 5:36 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 16, 37, 38, 39, 40, 44 and 26 more.