63 bars of 4/4 at a walking 97 BPM, 2:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 3-15, ride through bars 16-19, hi-hat through bars 20-26, ride through bars 27-30, snare through bars 31-36 and ride through bars 37-61, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 16-17, 27-28 and 37-38, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 17
1...............2...............3...............4............... 1...............2...............3...............4...............
CC |x---------------------------------------------------------------|----------------------------------------------------------------|
RD |x---------------x---------------x---------------x---------------|x---------------x---------------x---------------x---------------|
HH |------------------------------------------------------------x---|----------------------------x---------------------------o-------|
SD |----------------x-------------------------------x---------------|----------------x-------------------------------x---------------|
BD |x-----------------------x-------x-------------------------------|x-----------------------x-------x-------------------------------|
HF |x---------------x---------------x---------------x---------------|x---------------x---------------x---------------x---------------|9 fills to learn, played 21 times: bars 4, 5, 6, 7, 8, 19 and 15 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
63 bars, about 2:36 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 4, 5, 6, 7, 8, 19 and 15 more.