63 bars of 4/4 at a walking 97 BPM, 2:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 16-17, 27-28 and 37-38, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 4, 5, 6, 7, 8, 19 and 15 more.
5 more fills are written out on the fills page.
63 bars across 7 sections: 30 keep time, 21 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 10-14.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
63 bars, about 2:36 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 4, 5, 6, 7, 8, 19 and 15 more.