201 bars of 4/4 at 115 BPM, about 6:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36, 93-94 and 108-110, and 18 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 43 times: bars 5, 11, 13, 14, 15, 16 and 37 more.
20 more fills are written out on the fills page.
201 bars across 15 sections: 121 keep time, 43 are fills, 4 are stops and 15 are silent. The longest unbroken stretch of time is bars 56-73.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
201 bars, about 6:55 at the written tempo. The course breaks it into 67 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 43 times: bars 5, 11, 13, 14, 15, 16 and 37 more.