168 bars of 4/4 at 125 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-30, 33-39 and 57-71 -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 25 times: bars 8, 16, 20, 24, 31, 32 and 19 more.
13 more fills are written out on the fills page.
168 bars across 12 sections: 106 keep time, 25 are fills, 3 are stops and 27 are silent. The longest unbroken stretch of time is bars 42-55.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
168 bars, about 5:07 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 25 times: bars 8, 16, 20, 24, 31, 32 and 19 more.