247 bars of 3/4 -- not four -- at 140 BPM, 6:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 14-15 and 31, and 10 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 81 times: bars 18, 21, 27, 36, 37, 38 and 75 more.
20 more fills are written out on the fills page.
247 bars across 18 sections: 125 keep time, 81 are fills, 7 are stops and 14 are silent. The longest unbroken stretch of time is bars 60-70.
140 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
93 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
247 bars, about 6:21 at the written tempo. The course breaks it into 79 exercises over 28 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 81 times: bars 18, 21, 27, 36, 37, 38 and 75 more.