112 bars of 4/4 at 123 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 31 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 20 times: bars 8, 16, 24, 28, 32, 36 and 14 more.
3 more fills are written out on the fills page.
112 bars across 9 sections: 64 keep time, 21 are fills and 15 are stops. The longest unbroken stretch of time is bars 2-7.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
112 bars, about 3:39 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 8, 16, 24, 28, 32, 36 and 14 more.