35 bars of 4/4 at 145 BPM, about 0:58 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-8 -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 14 times: bars 14, 20, 21, 22, 23, 24 and 8 more.
35 bars across 3 sections: 17 keep time, 14 are fills and 2 are stops. The longest unbroken stretch of time is bars 1-7.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 63 out of 100; the rest of the number is everything around it.
35 bars, about 0:58 at the written tempo. The course breaks it into 14 exercises over 7 sittings, about 20 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 14 times: bars 14, 20, 21, 22, 23, 24 and 8 more.