216 bars of 4/4 at 136 BPM, about 6:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 14 and 16, and 31 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 11, 15, 18, 19, 35, 39 and 30 more.
12 more fills are written out on the fills page.
216 bars across 22 sections: 98 keep time, 36 are fills, 58 are stops and 4 are silent. The longest unbroken stretch of time is bars 162-176.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
216 bars, about 6:20 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 11, 15, 18, 19, 35, 39 and 30 more.