57 bars of 4/4 at 112 BPM, about 2:02 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 23-30 and 49-56 -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 18, 22, 44 and 48.
57 bars across 7 sections: 42 keep time, 4 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 4-15.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
57 bars, about 2:02 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 18, 22, 44 and 48.