194 bars of 4/4 at 120 BPM, about 6:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-25, 41-51 and 115-124, and 2 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 25 times: bars 26, 69, 72, 80, 106, 110 and 19 more.
10 more fills are written out on the fills page.
194 bars across 20 sections: 120 keep time, 25 are fills, 3 are stops and 25 are silent. The longest unbroken stretch of time is bars 29-40.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 98 out of 100; the rest of the number is everything around it.
194 bars, about 6:28 at the written tempo. The course breaks it into 70 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 25 times: bars 26, 69, 72, 80, 106, 110 and 19 more.