114 bars of 4/4 at 137 BPM, about 3:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 55-57, and 1 more place -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 10, 12, 14, 15, 20, 32 and 21 more.
10 more fills are written out on the fills page.
114 bars across 14 sections: 61 keep time, 27 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 54-62.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
114 bars, about 3:11 at the written tempo. The course breaks it into 59 exercises over 21 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 10, 12, 14, 15, 20, 32 and 21 more.