138 bars of 4/4 at 120 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-27, 29-31 and 33-35, and 7 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 36 times: bars 4, 8, 16, 22, 23, 24 and 30 more.
16 more fills are written out on the fills page.
138 bars across 18 sections: 75 keep time, 36 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 119-125.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 93 out of 100; the rest of the number is everything around it.
138 bars, about 4:36 at the written tempo. The course breaks it into 70 exercises over 21 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 36 times: bars 4, 8, 16, 22, 23, 24 and 30 more.