120 bars of 4/4 at 132 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 32-33, 36-37 and 40, and 5 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 36 times: bars 5, 9, 13, 24, 25, 26 and 30 more.
15 more fills are written out on the fills page.
120 bars across 16 sections: 55 keep time, 36 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 61-66.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
120 bars, about 3:37 at the written tempo. The course breaks it into 67 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 36 times: bars 5, 9, 13, 24, 25, 26 and 30 more.