98 bars of 4/4 at 142 BPM, about 2:46 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 37 and 39-41, and 9 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 22 times: bars 15, 16, 18, 22, 30, 38 and 16 more.
8 more fills are written out on the fills page.
98 bars across 10 sections: 59 keep time, 22 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 43-49.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
98 bars, about 2:46 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 15, 16, 18, 22, 30, 38 and 16 more.