The drum beat in lillian jones KO

The beat the song is built on is one bar, played through bars 19-29, 55-60 and 71-73, and 1 more place -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.

It is played on crash, hi-hat and kick, counted in sixteenth notes. On its own it scores 18 out of 100 -- straightforward -- and the thing that decides that is the independence between the hands and the feet.

The whole song is 48 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.

The room opens this beat on its simplest reduction, at 146 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.

1. Kick and snare, whole. The feet and the snare exactly as written, hi-hat pulled back to quarter notes. This is the part to know by heart.
2. Every note, flat. All the notes, but the hi-hat stays closed and nothing is ghosted or accented.
3. As written. Open hi-hat, ghost notes, accents and the crash where they belong.

Tempo goes 146, 171 and 195 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.