137 bars of 4/4 at 133 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-40, 42-44 and 48, and 6 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 16, 33, 49, 53, 57, 61 and 8 more.
3 more fills are written out on the fills page.
137 bars across 20 sections: 86 keep time, 14 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-15.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
137 bars, about 4:07 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 16, 33, 49, 53, 57, 61 and 8 more.