212 bars of 4/4 at 140 BPM, about 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-34, 43-50 and 60-67, and 3 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 9, 57, 58, 68, 116, 117 and 16 more.
3 more fills are written out on the fills page.
219 bars across 23 sections: 153 keep time, 22 are fills, 14 are stops and 7 are silent. The longest unbroken stretch of time is bars 130-144.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
212 bars, about 5:51 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 9, 57, 58, 68, 116, 117 and 16 more.