106 bars of 4/4 at 130 BPM, about 3:16 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 15, and 11 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 30, 56, 90, 94 and 106.
106 bars across 6 sections: 91 keep time, 5 are fills and 3 are silent. The longest unbroken stretch of time is bars 4-29.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
106 bars, about 3:16 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 30, 56, 90, 94 and 106.