128 bars of 4/4 at 128 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-9, 36 and 38-44, and 4 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 34 times: bars 10, 18, 23, 27, 29, 33 and 28 more.
11 more fills are written out on the fills page.
128 bars across 13 sections: 75 keep time, 34 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 3-9.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
128 bars, about 4:00 at the written tempo. The course breaks it into 37 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 34 times: bars 10, 18, 23, 27, 29, 33 and 28 more.