92 bars of 3/4 -- not four -- at 81 BPM, 3:26 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, ride through bars 5-12, hi-hat through bars 13-16, ride through bars 17-20, hi-hat through bars 21-40 and ride through bars 41-44, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 14, 16 and 22, and 5 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46
1e+a2e+a3e+a
HH |x-x-x-x-x-x-|
SD |------x-----|
BD |x----x------|5 fills to learn, played 11 times: bars 12, 34, 35, 44, 52, 54 and 5 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
92 bars, about 3:26 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 12, 34, 35, 44, 52, 54 and 5 more.