92 bars of 3/4 -- not four -- at 81 BPM, 3:26 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 22, and 5 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 12, 34, 35, 44, 52, 54 and 5 more.
1 more fill is written out on the fills page.
92 bars across 10 sections: 49 keep time, 11 are fills, 2 are stops and 20 are silent. The longest unbroken stretch of time is bars 13-25.
81 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
92 bars, about 3:26 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 12, 34, 35, 44, 52, 54 and 5 more.