127 bars of 4/4 at 123 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17 and 19, and 7 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 11, 39, 47, 57, 73, 81 and 5 more.
3 more fills are written out on the fills page.
127 bars across 11 sections: 74 keep time, 11 are fills, 26 are stops and 7 are silent. The longest unbroken stretch of time is bars 21-38.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
127 bars, about 4:07 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 11, 39, 47, 57, 73, 81 and 5 more.