157 bars of 4/4 at 130 BPM, about 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 65, 67-69 and 71-72, and 6 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 47 times: bars 26, 28, 30, 32, 34, 36 and 41 more.
16 more fills are written out on the fills page.
157 bars across 13 sections: 88 keep time, 47 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-17.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
157 bars, about 4:50 at the written tempo. The course breaks it into 66 exercises over 19 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 47 times: bars 26, 28, 30, 32, 34, 36 and 41 more.